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Jensyn has spent the past six weeks making the kind of argument that most artists take years to construct
Three singles, released across May and June 2026, each tackling a different register of emotional complexity with a precision and maturity that belies the scale of the campaign. With ‘Trust’, the trilogy ends not with resolution but with something more honest: the sensation of having thought yourself so far past certainty that you can no longer find your way back.
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The track is Jensyn at their most genre-expansive. The atmospheric alt-pop intimacy of ‘Somebody Else’ and the raw, cathartic rock of ‘Throw’ give way here to something that draws on progressive rock structures without abandoning the emotional directness that has defined the project. The arrangement is restless and multi-layered, built around Matthew Humphries’ drums and Jack O’Hanlon’s guitar, with Jensyn’s commanding vocals threading through shifting dynamic terrain before arriving at a finale that feels both inevitable and hard-won.
“This is the song that came from overthinking so much that I lost all sense of what I believed was right or wrong.” – Jensyn
Written in the wake of ending a relationship, ‘Trust’ interrogates the specific guilt of the person who walked away: the people-pleasing instinct that makes even a necessary decision feel like a betrayal, the anxiety spiral that turns certainty into quicksand. It is a subject most songwriters would soften or sidestep. Jensyn does neither.
The Liverpool-based queer non-binary producer and multi-instrumentalist has been building a catalogue since the age of 14, shaped by the city’s close-knit creative community and by the influence of artists like Joni Mitchell, whose commitment to using personal truth as a compositional tool echoes throughout Jensyn’s work. Collaborations with 20 Stories High and Future Yard are already underway, with live dates in the pipeline. ‘Trust’ suggests those shows will be worth the trip.
