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Nick Helgesen’s latest release, ‘Good Girl’, is a striking piece of indie pop that makes a powerful statement about gender norms and societal expectations. This track is more than just a catchy tune; it’s a sharp critique wrapped in a vibrant, genre-blending package.Drawing from a 1956 manual on good housewives, Helgesen cleverly uses this historical lens to comment on the persisting gender biases of today. The track’s brilliance lies not only in its pointed lyrics but also in its sophisticated musical arrangement. Helgesen channels the spirit of ’80s British bands like The Cure, infusing their brooding, atmospheric sound with the lively rhythms of modern indie acts like Spoon and LCD Soundsystem. The result is a track that’s both nostalgic and refreshingly contemporary.Facebook | Instagram | Youtube
The composition is a feast for the ears: a lush piano underpinning the entire piece, sparkling electric guitar riffs that energise the mix, and a sultry saxophone that adds a layer of sophistication. The intricate weave of synths and samples brings a modern edge to the track, creating a soundscape that is both immersive and dynamic. Helgesen’s vocals are a standout element, delivering the track that is sarcastic and critical message with a biting wit.
His approach to tackling such a heavy topic through a blend of humour and musical flair is commendable and effective, making ‘Good Girl’ a standout example of how indie pop can be both entertaining and thought-provoking. In the context of Scrimshaw Porn’s discography, ‘Good Girl’ marks another step forward in Helgesen’s evolution as an artist who is not afraid to push boundaries.
Following the critical acclaim of the ‘September Surf‘ EP and ‘Edgar Allan‘, this single further solidifies his reputation as a musician with a keen sense of both social awareness and artistic innovation. As Helgesen gears up for live shows, fans should expect an experience that is as intellectually stimulating as it is sonically engaging. ‘Good Girl’ is a celebration of Scrimshaw Porn’s unique voice in the indie pop landscape, whilst simultaneously holding account societal norms surrounding gender bias…
